{"id":864,"date":"2026-06-09T10:29:34","date_gmt":"2026-06-09T10:29:34","guid":{"rendered":"https:\/\/kstories.kr\/en-ko\/structured-weekly_global_kpop_ranking-circle_global_kpop_weekly-2026-06-09-enkr\/"},"modified":"2026-06-09T10:29:34","modified_gmt":"2026-06-09T10:29:34","slug":"structured-weekly_global_kpop_ranking-circle_global_kpop_weekly-2026-06-09-enkr","status":"publish","type":"post","link":"https:\/\/kstories.kr\/en-ko\/structured-weekly_global_kpop_ranking-circle_global_kpop_weekly-2026-06-09-enkr\/","title":{"rendered":"Weekly Global K-Pop Chart (June 9, 2026)"},"content":{"rendered":"
\n
\"SWIM\"<\/div>\n
Weekly Global K-Pop Chart (June 9, 2026)<\/div>\n

As of June 9, 2026, the Global K-Pop Chart demonstrates remarkable \uc548\uc815\uc138 at the \ucd5c\uc0c1\uc704\uad8c, with BTS's 'SWIM' firmly holding the No. 1 \uc21c\uc704 \uc720\uc9c0. Meanwhile, \uc2e0\uaddc \uc2e0\uace1 from LE SSERAFIM and I.O.I have made strong \uc57d\uc9c4, injecting fresh \ud65c\ub825 into the \uc8fc\uac04 chart. While overall \uc21c\uc704 remained largely consistent this \uc8fc\uac04, \uc77c\ubd80 tracks experienced notable \uc0c1\uc2b9 and \ud558\ub77d \ubcc0\ub3d9.<\/p>\n

TOP 10<\/h2>\n
\n\n\n\n\n\n\n\n\n\n\n\n
\"SWIM\"<\/td>\n1<\/td>\n\n
SWIM<\/div>\n
\ubc29\ud0c4\uc18c\ub144\ub2e8<\/div>\n<\/td>\n<\/tr>\n
\"Golden\"<\/td>\n2<\/td>\n\n
Golden<\/div>\n
HUNTR\/X, EJAE, AUDREY NUNA, REI AMI, KPop Demon Hunters Cast<\/div>\n<\/td>\n<\/tr>\n
\"REDRED\"<\/td>\n3<\/td>\n\n
REDRED<\/div>\n
CORTIS (\ucf54\ub974\ud2f0\uc2a4)<\/div>\n<\/td>\n<\/tr>\n
\"It`s<\/td>\n4<\/td>\n\n
It`s Me<\/div>\n
\uc544\uc77c\ub9bf(ILLIT)<\/div>\n<\/td>\n<\/tr>\n
\"APT.\"<\/td>\n5<\/td>\n\n
APT.<\/div>\n
\ub85c\uc81c (ROSE), Bruno Mars<\/div>\n<\/td>\n<\/tr>\n
\"BOOMPALA\"<\/td>\n6<\/td>\n\n
BOOMPALA<\/div>\n
LE SSERAFIM (\ub974\uc138\ub77c\ud54c)<\/div>\n<\/td>\n<\/tr>\n
\"\uac11\uc790\uae30\"<\/td>\n7<\/td>\n\n
\uac11\uc790\uae30<\/div>\n
\uc544\uc774\uc624\uc544\uc774 (I.O.I)<\/div>\n<\/td>\n<\/tr>\n
\"2.0\"<\/td>\n8<\/td>\n\n
2.0<\/div>\n
\ubc29\ud0c4\uc18c\ub144\ub2e8<\/div>\n<\/td>\n<\/tr>\n
\"Body<\/td>\n9<\/td>\n\n
Body to Body<\/div>\n
\ubc29\ud0c4\uc18c\ub144\ub2e8<\/div>\n<\/td>\n<\/tr>\n
\"Hooligan\"<\/td>\n10<\/td>\n\n
Hooligan<\/div>\n
\ubc29\ud0c4\uc18c\ub144\ub2e8<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n

Solid Performance at the Top<\/h2>\n

The most prominent \ud2b9\uc9d5 of this \uc8fc\uac04 Global K-Pop Chart is the impressive \uc548\uc815\uc138 of its \ucd5c\uc0c1\uc704\uad8c artists. BTS's 'SWIM' retained its No. 1 \uc21c\uc704 \uc720\uc9c0 without wavering, once again proving the group's consistent global fandom \uc9c0\uc9c0 and enduring \uc778\uae30.<\/p>\n

Furthermore, the collaboration \uace1 'Golden' by HUNTR\/X and other artists held steady at No. 2, followed by CORTIS's \uace1 'REDRED' at No. 3, ILLIT's \uace1 'It`s Me' at No. 4, and ROSE and Bruno Mars's \uace1 'APT.' at No. 5. This unchanging \uc0c1\uc704\uad8c underscores the powerful \uc74c\uc6d0 performance of these \uace1 and their sustained appeal among global listeners.<\/p>\n

New Entries and Artist Dominance<\/h2>\n

The \uc8fc\uac04 chart dated June 9, 2026, saw two notable \uc2e0\uaddc \uc9c4\uc785\uace1 \ub4f1\uc7a5. LE SSERAFIM's 'BOOMPALA' proudly \uc9c4\uc785 at No. 6, while I.O.I's '\uac11\uc790\uae30' (Suddenly) \uc9c4\uc785 at No. 7. The strong performance of these \uc2e0\uace1 highlights the dynamic \ubcc0\ud654 of the K-Pop scene and the \ub4f1\uc7a5 of new talent.<\/p>\n

Analyzing the artist \ubd84\ud3ec, BTS demonstrated an overwhelming \uc874\uc7ac\uac10 with \ucd1d four \uace1 in the Top 10: 'SWIM', '2.0', 'Body to Body', and 'Hooligan'. By production company, BIGHIT MUSIC had the most \uc9c4\uc785\uace1 with five \uace1, solidifying its strong \uc601\ud5a5\ub825. YG PLUS also played a \uc8fc\uc694 \uc5ed\ud560 as a key distributor, circulating multiple \uace1 on the chart.<\/p>\n

Rank Shifts and Chart Departures<\/h2>\n

Despite the \ucd5c\uc0c1\uc704\uad8c \uc548\uc815\uc138, \uc77c\ubd80 \uace1 experienced \uc21c\uc704 \ubcc0\ub3d9. BTS's \ud574\ub2f9 \uace1 '2.0', which was No. 6 last \uc8fc\uac04, \ud558\ub77d two spots to No. 8. Similarly, 'Body to Body' by the same artist fell two places from No. 7 to No. 9. 'Hooligan' also slipped one spot from last week, finishing at No. 10. These movements suggest subtle \ub0b4\ubd80 \uacbd\uc7c1 among BTS's own \uace1 and the strong \uc2e0\uace1 \ub4f1\uc7a5.<\/p>\n

Meanwhile, YENA's \uace1 'Catch Catch' (No. 8 last \uc8fc\uac04) and aespa's \uace1 'WDA (Whole Different Animal) (Feat. G-DRAGON)' (No. 10 last \uc8fc\uac04) \uc774\ud0c8 the Top 10, underscoring the intense \uacbd\uc7c1 \uad6c\ub3c4 within the global K-Pop \uc2dc\uc7a5. This highlights the importance of continuous \ud65c\ub3d9 and the constant introduction of new appeal to maintain a high \uc21c\uc704.<\/p>\n

\n
\uc774 \uae30\uc0ac\uc5d0 \uc0ac\uc6a9\ub41c \ud55c\uad6d\uc5b4 \uc6a9\uc5b4<\/div>\n
stability(\uc548\uc815\uc138), top tier(\ucd5c\uc0c1\uc704\uad8c), holding the No. 1 position(\uc21c\uc704 \uc720\uc9c0), new(\uc2e0\uaddc), new releases(\uc2e0\uace1), strong debuts(\uc57d\uc9c4), energy(\ud65c\ub825), week(\uc8fc\uac04), rankings(\uc21c\uc704), upward(\uc0c1\uc2b9), downward shifts(\ud558\ub77d \ubcc0\ub3d9), feature(\ud2b9\uc9d5), support(\uc9c0\uc9c0), popularity(\uc778\uae30), upper tier(\uc0c1\uc704\uad8c), digital performance(\uc74c\uc6d0), tracks\/songs(\uace1), new entries(\uc2e0\uaddc \uc9c4\uc785\uace1), debuted\/entered(\uc9c4\uc785), emergence(\ub4f1\uc7a5), artist distribution(\ubd84\ud3ec), presence(\uc874\uc7ac\uac10), total(\ucd1d), influence(\uc601\ud5a5\ub825), significant role(\uc8fc\uc694 \uc5ed\ud560), some(\uc77c\ubd80), rank shifts(\uc21c\uc704 \ubcc0\ub3d9), that track(\ud574\ub2f9 \uace1), dropped(\ud558\ub77d), internal competition(\ub0b4\ubd80 \uacbd\uc7c1), exited(\uc774\ud0c8), competition(\uacbd\uc7c1 \uad6c\ub3c4), market(\uc2dc\uc7a5), activity(\ud65c\ub3d9), dynamic evolution(\ubcc0\ud654)<\/div>\n<\/div>\n
English Version<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Weekly Global K-Pop Chart (June 9, 2026) As of June 9, 2026, the Global K-Pop Chart demonstrates remarkable \uc548\uc815\uc138 at…<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"remote_featured_image_url":"https:\/\/kstories.kr\/kr\/wp-content\/uploads\/sites\/2\/2026\/06\/01_SWIM-scaled.jpg","footnotes":""},"categories":[2],"tags":[1174,1529,836,1353,1004,838,1530,938,837],"class_list":["post-864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-k-content-ranking","tag-k-","tag-836","tag-1353","tag-1004","tag-838","tag-1530","tag-938","tag-837"],"_links":{"self":[{"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/posts\/864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/comments?post=864"}],"version-history":[{"count":1,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/posts\/864\/revisions"}],"predecessor-version":[{"id":865,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/posts\/864\/revisions\/865"}],"wp:attachment":[{"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/media?parent=864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/categories?post=864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kstories.kr\/en-ko\/wp-json\/wp\/v2\/tags?post=864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}