{"id":1083,"date":"2026-05-31T13:11:51","date_gmt":"2026-05-31T13:11:51","guid":{"rendered":"https:\/\/kstories.kr\/en\/cul260527005-en\/"},"modified":"2026-06-01T06:16:23","modified_gmt":"2026-06-01T06:16:23","slug":"cul260527005-en","status":"publish","type":"post","link":"https:\/\/kstories.kr\/en\/cul260527005-en\/","title":{"rendered":"Lee Young-sup Captures the Essence of Jeongak with &#8216;Jajinhanip&#8217; Daegeum Solo Album"},"content":{"rendered":"<div class=\"article\">\n<div class=\"article-inline-image\" style=\"margin:24px 0;text-align:center\"><img decoding=\"async\" alt=\"Image\" src=\"https:\/\/kstories.kr\/kr\/wp-content\/uploads\/sites\/2\/2026\/05\/cul260527005_01-scaled.jpg\" style=\"width:100%;max-width:100%;height:auto\" \/><\/div>\n<div class=\"original-title\" style=\"font-size:1.4em;font-weight:700;margin-bottom:12px;line-height:1.4\">Lee Young-sup Captures the Essence of Jeongak with &#x27;Jajinhanip&#x27; Daegeum Solo Album<\/div>\n<p>Daegeum (a large Korean transverse flute) virtuoso Lee Young-sup is poised to release his sixth album, featuring a distinctive reinterpretation of &#x27;Jajinhanip,&#x27; a fundamental repertoire of Korean court music (Jeongak). This ambitious project presents the entire &#x27;Jajinhanip&#x27; suite, originally an instrumental adaptation of vocal accompaniment for *gagok* (Korean classical vocal music), performed exclusively as a solo on a single daegeum. Showcasing Lee&#x27;s profound experience and musical depth, the album is scheduled for release on May 27, 2026, through Riway Music &amp; Media.<\/p>\n<h2>Encountering the Essence of Jeongak Through a Daegeum Solo: &#x27;Jajinhanip&#x27;<\/h2>\n<p>Daegeum player Lee Young-sup&#x27;s sixth album, titled &#x27;Lee Young-sup&#x27;s Daegeum Jeongak &#8211; Jajinhanip,&#x27; is set to be released on Wednesday, May 27, 2026, via Riway Music &amp; Media. The album&#x27;s most distinctive feature is its presentation of the complete &#x27;Jajinhanip&#x27; suite, a core repertoire of Jeongak, performed entirely as a daegeum solo.<\/p>\n<p>While &#x27;Jajinhanip&#x27; originated as instrumental accompaniment for *gagok* and is traditionally performed by an ensemble of various wind instruments, this album uniquely presents the entire piece using only a single daegeum. This artistic choice aims to fully express the daegeum&#x27;s distinctive subtle ornamentation (*sigimsae*) and profound breathing techniques, maximizing the instrument&#x27;s unique charm, which might be less prominent in an ensemble setting.<\/p>\n<h2>The Deep Musical World and Structure of &#x27;Jajinhanip&#x27;<\/h2>\n<p>&#x27;Jajinhanip&#x27; is structured as a suite comprising four movements: Dugeo, Nong, Rak, and Pyeon. It is characterized by a unique melodic progression, beginning in *pyeongjo* mode, transitioning through various modulations, and concluding in *gyemyeonjo* mode. This gradual evolution of modes adds depth and richness to the music, offering listeners a diverse sonic experience.<\/p>\n<p>Today, &#x27;Jajinhanip&#x27; is commonly performed by an ensemble of various wind instruments, including the *hyangpiri* (a Korean oboe-like instrument), daegeum, and *sogeum* (a small transverse flute). However, it also stands as an important repertoire for solo performances by instruments like the piri or daegeum, or duets such as the *danso* (a small notched flute) and *saenghwang* (a Korean mouth organ), allowing musicians to showcase their individuality and artistry. Within this broad spectrum of &#x27;Jajinhanip&#x27; interpretations, Lee Young-sup presents a novel approach through his daegeum solo rendition.<\/p>\n<h2>Lee Young-sup&#x27;s Musical Journey and Dedication to Future Generations<\/h2>\n<p>Lee Young-sup dedicated his formative years and much of his career to traditional music, serving as a member of both the Jeongakdan (court music ensemble) and Changjakdan (creative music ensemble) at the National Gugak Center. His extensive experience also includes international performances and lectures, as well as serving as the orchestral leader of the National Gugak Center in Busan. These rich experiences have significantly contributed to his musical depth and maturity.<\/p>\n<p>Currently, Lee is actively involved as both an educator and a performer, striving to convey the future and value of Gugak (Korean traditional music) to the next generation. The &#x27;Jajinhanip&#x27; recorded on this album, described as a &#x27;living contemporary breath,&#x27; is a testament to his strong musical conviction to highlight the &#x27;enduring strength&#x27; of Gugak.<\/p>\n<div class=\"kstories-variant-link\" style=\"margin:18px 0 6px;text-align:right\"><a href=\"https:\/\/kstories.kr\/en-ko\/cul260527005-enkr\/\" style=\"padding:10px 18px;border:1px solid #7c3aed;border-radius:14px;color:#7c3aed;font-weight:700;text-decoration:none;background:#fff\">English-Korean Version<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lee Young-sup Captures the Essence of Jeongak with &#x27;Jajinhanip&#x27; Daegeum Solo Album Daegeum (a large Korean transverse flute) virtuoso Lee&hellip;<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"remote_featured_image_url":"https:\/\/kstories.kr\/kr\/wp-content\/uploads\/sites\/2\/2026\/05\/cul260527005_01-scaled.jpg","footnotes":""},"categories":[4],"tags":[1475,948,1476,1477,1474,1479,1478,655],"class_list":["post-1083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-daegeum","tag-gugak","tag-jajinhanip","tag-jeongak","tag-lee-young-sup","tag-music-release","tag-solo-album","tag-traditional-korean-music"],"_links":{"self":[{"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/posts\/1083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/comments?post=1083"}],"version-history":[{"count":2,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/posts\/1083\/revisions"}],"predecessor-version":[{"id":1102,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/posts\/1083\/revisions\/1102"}],"wp:attachment":[{"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/media?parent=1083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/categories?post=1083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kstories.kr\/en\/wp-json\/wp\/v2\/tags?post=1083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}